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n the fall of 2007 VETO went into isolation in Poul Kreb’s Dansebjerg – studio on the island of Samsø with a car full of instruments, a handful of sporadic ideas and plenty of food in the fridge. These elements are some of the cornerstones in the birth of VETO’s new album, which has been titled “Crushing Digits”. Between fishing trips, napping and cooking, ideas have collectively been refined and condensed. “Crushing Digits” is therefore the sound of five individuals united in a creative ping pong-process where everything is up for negotiation. VETO is very much a plenum-band! The democratic collectivism is the quintet’s ultimate force. It is that force which releases a unique energy when Troels, Jens, David, Mads and Mark become VETO: On “Crushing Digits” the music has taken its own direction. With VETO as coaches naturally. Jens elaborates: -“We have been in the rehearsal room for many hours without coming up with anything constructive but when we isolate ourselves intensely for a period of time, it’s like the music appears out of nowhere. Little individual contributions transform in the community and become coherent compositions. All kinds of ownership are lifted. Everything becomes VETO when we are together.” Also the lyrics emerge “on location” in the middle of the collective creation process. Troels, who is the man behind the lyrics, is not the type of guy who reworks his lyrical fables. Like the music they are expressions of a specific imagery created in that situation. VETO’s collectivism is even more pronounced and refined than on their debut
album “There’s A Beat In All Machines” which had both buyers and reviewers
jumping for joy. In the beginning of 2004 Troels was recruited as lead singer and all material was discarded in preparation for building something brand new up together. The idiomatic and effective name VETO was attached and the band we know today was a reality. From the beginning the collective songwriting was in focus and VETO experimented determined to gather material to a full length album while they tuned into each others similarities and differences. The first EP “I Will Not Listen” had like the following debut LP the track
“You Are A Knife” on the track list. This track created strong attention towards
the quintet living in Aarhus. TABU Records, which is owned by Suspekt and
normally deals with hip hop, couldn’t resist the edgy rhythmic, the cracking
guitar riffs and especially Troels’ vocals, which a lot of critics quickly
proclaimed to be one of the most significant voices on the Danish rock
scene. “There’s A Beat In All Machines” was recorded on a laptop in VETO’s own band room and is produced by the band itself. The result triggered several producer- and remix-jobs for Troels, who take’s credit for the expression of sound from bands like The Floor Is Made Of Lava and As I RebekkaMaria. Self-determination and willfulness has gone up a notch. On “Crushing Digits”
the band acts as record company with the formation of their own company Reset08.
VETO has ownership over their rights. But as something new VETO has let an
extern producer in, Carsten Heller, who with great success has produced for
Nephew, Spleen United, Henrik Hall among others, though with heightened
willfulness.
While VETO’s collective features and do it yourself mentality has gathered strength, then “Crushing Digits” is more radical than its predecessor. The extremes are expressed more. The distance between A and B are longer as the band expresses it. The hectic stumbling “Shake”, the club-rooted “You Say Yes, I Say Yes” and “Duck, Hush And Be Still” who represents the albums more subdued expression illustrates quite differently that VETO’s expression has become more manifold – which is expressed through the band’s love of preprogrammed electronic rhythm and unrestrained rock energy. “Crushing Digits” is released the 5th of May. VETO is: Troels Abrahamsen: Vocal, synth |
Contact: info@tornadoconcerts.com Myspace: http://www.myspace.com/vetosite Website: http://www.vetonet.dk Video: http://www.youtube.com/watch?v=Xz1h1f3M0U4 |
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