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this new york, usa-based chamber cabaret outfit is led
by the striking, androgynous figure of singularly named performance artist
antony (b. antony hegarty, chichester, west sussex, england). his unusual
background saw him relocating from his native england at the age of 10 to be
raised in california, usa. he moved to new york in 1990 to attend the
experimental theatre wing at nyu, and before long had become heavily involved in
the city's punk drag scene. paying homage to fabled performance artists leigh
bowery and klaus nomi, antony began performing late night cabaret sets with the
blacklips collective at the city's pyramid club. in 1995 he assembled a backing
group, the self-styled antony and the johnsons, and began to focus on the
musical side of his performances. the group built up a cult following at hip new
york clubs such as the kitchen and knitting factory, but their debut blue angel
remained unreleased until current 93 leader david tibet signed antony and the
johnsons to his durtro label. the cast list of musicians on the album, released
under the title antony and the johnsons in 1998, included transsexual artist
baby dee (harp), francois gehin (bass), todd cohen (drums), charles neilson
(guitar), and a number of string and woodwind players. |
Contact: margot@tornadoconcerts.com Myspace: http://www.myspace.com/antonyandthejohnsons Website: http://www.antonyandthejohnsons.com Label: http://www.secretlycanadian.com Video: http://www.youtube.com/watch?v=mbA0RmHD7RY |
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I am a Bird Now US LP/CD Secretly Canadian 1. Hope There's Someone
Resentie / Persbericht It’s not often that an album released in January gets called one of the best of the year in near-unison, but the second full length by Antony and the Johnsons is so startlingly beautiful that it simply has to be. Like his friend and compatriot Devendra Banhart, Antony is a super-talented singer-songwriter with a flair for dramatic artsong. But the cherubic Antony is so original he must get mistaken for an alien quite often; he sings like a bluesy opera singer and switches timbre from masculine to feminine in the space of a breath. The only vocal comparison that comes close is Nina Simone. Antony’s honest lyrics deal with deep wounds and troubled desires with matter of fact poetry and subtle humor, as in a short story by JT LeRoy. Aided and abetted by a versatile band that’s often closer to chamber orchestra than rock act, Antony delivers a visionary album with I Am A Bird Now. Oh yeah: Rufus Wainwright, Devendra, Lou Reed and Boy George all appear on here, too. Singer-songwriter/pianist Antony is one of those rare artists who, while not unprecedented, still emerges as singular. His is an an arresting vibrato and his presence is gender-anxious and confrontational in its vulnerability. His fey yet firm poise is quivering, tension fraught, but never engulfingly overwrought. Menored by Lou Reed, Boy George, Rufus Wainright and Devendra Barnhart, Antony presents a unique spectoral sound of faded, frayed glamour. This his second album I am a Bird Now is a polished gilded productions including a bluesy purr worthy of Nina Simone in "My Lady Story" and "Fistful of Love," with its Muscle Shoals horn blurts-meet-Weimar cabaret swoons via The Velvet Underground's shuffle. As a whole, I Am a Bird Now exhibits a downy affinity for androgynous eccentricity. Rough Trade. 2005. --This text refers to an out of print or unavailable edition of this title. |